Here we look at some interesting recent finds.
Shirley Hayes: "Black is"
Super obscure private spoken word 45....
Listen to this cool song! I believe this to be from the washington, dc area.. cool 1980 private pressing.
George HIll - Do It While it's hot
Private Baltimore Funk Boogie 45 from 1984. Very short run of pressings.
Nice and interesting beats and an excellent all around sound.
Interesting drums and hard claps from Rick Morris and mastering by Larry Adler.
Very rare and hard to find. The beat really sticks with you.
Nice and interesting beats and an excellent all around sound.
Interesting drums and hard claps from Rick Morris and mastering by Larry Adler.
Very rare and hard to find. The beat really sticks with you.
James perry - lottery of love
James Perry's "Lottery of Love" from Ultra-Song Records. NYC classic soul / funk with a very beautiful "sweet" soul sound.
This thing brings Modern Soul to a new level and would be a fan favorite on the dance floor. A very rare 12" single, one that will be in demand for years to come.
This thing brings Modern Soul to a new level and would be a fan favorite on the dance floor. A very rare 12" single, one that will be in demand for years to come.
Central Intelligence Agency - C.I.A. - Top secret
Fatdaddy Records, 1981. Excellently rare 7" 45 record. Nice riffs throughout.
Rare 80s vibe.
Hard to find!
Here's a review of this release as written by the well respected veteran music critic Ray Dorsey:
Whoa! This is a small package, but man is it killer! When I heard “Top Secret,” I was floored, not only by the heaviness spewing out of the speakers but also by the super-obscurity of the piece itself.
Looking at the “Top Secret” EP, it’s amazing now, how rare it looks! To begin with, it comes in a 7” sleeve that is at least ¼ inch taller than the standard size. The thick cover is strangely made, in that it’s kind of hard to tell what is supposed to be the front and back. On the side where the opening faces the right (usually the “front”) is a black & white photo of the band members (plus some other dude!) sitting around a conference table and dressed in suits. They’re also sporting short haircuts, I guess to live up to the C.I.A. image. Below the photo is the title “Top Secret” in a rectangular box. Flip the cover over and there’s a large, round logo in blue. It’s a take-off on the official C.I.A. seal, with an eagle in the center clutching a guitar & bass and with a Ludwig drum logo emblazoned across it’s chest. This cover alone would make for a killer piece but reach inside and you’ll find a 10-page booklet revealing not only the lyrics to all 4 cuts, but great b/w photos of the band in the studio. Other pertinent information is listed as well.Of course, the music is what counts however, so what’s the story there? The answer is GREAT! Side One kicks off with “Devil Cashes In.” This is a ripping, fast-paced assault, perfectly mirroring the NWOBHM that was flourishing across the pond at that very moment. Hacking riffs and searing lead runs merge with Meadow’s rough-yet-melodic vocals to mark one of the very few times true metal emerged from Baltimore at that time. After this 4-minute call to arms, C.I.A. finish off Side One of the EP with one of the most gut-level grinders you’ll ever hear, “Scramble Out Of Town.” The riff here is likely to peel the paint off most walls within a 100 mile radius. Side Two opens with “What Did I Do,” a more hard rock & roll number that, while probably the most uneventful cut on offer, is still head-and-shoulders above a lot of other tracks you’ll hear called “great.” But, as you may have guessed, C.I.A. saves the best for last with the 6+ minute “Heavy Box.” Telling an eerie tale about finding a buried Pandoran artifact, this one stands among some of the greatest doomy metal classics of all-time, right up there with the best of Legend, Pagan Altar and April 16th.
Rare 80s vibe.
Hard to find!
Here's a review of this release as written by the well respected veteran music critic Ray Dorsey:
Whoa! This is a small package, but man is it killer! When I heard “Top Secret,” I was floored, not only by the heaviness spewing out of the speakers but also by the super-obscurity of the piece itself.
Looking at the “Top Secret” EP, it’s amazing now, how rare it looks! To begin with, it comes in a 7” sleeve that is at least ¼ inch taller than the standard size. The thick cover is strangely made, in that it’s kind of hard to tell what is supposed to be the front and back. On the side where the opening faces the right (usually the “front”) is a black & white photo of the band members (plus some other dude!) sitting around a conference table and dressed in suits. They’re also sporting short haircuts, I guess to live up to the C.I.A. image. Below the photo is the title “Top Secret” in a rectangular box. Flip the cover over and there’s a large, round logo in blue. It’s a take-off on the official C.I.A. seal, with an eagle in the center clutching a guitar & bass and with a Ludwig drum logo emblazoned across it’s chest. This cover alone would make for a killer piece but reach inside and you’ll find a 10-page booklet revealing not only the lyrics to all 4 cuts, but great b/w photos of the band in the studio. Other pertinent information is listed as well.Of course, the music is what counts however, so what’s the story there? The answer is GREAT! Side One kicks off with “Devil Cashes In.” This is a ripping, fast-paced assault, perfectly mirroring the NWOBHM that was flourishing across the pond at that very moment. Hacking riffs and searing lead runs merge with Meadow’s rough-yet-melodic vocals to mark one of the very few times true metal emerged from Baltimore at that time. After this 4-minute call to arms, C.I.A. finish off Side One of the EP with one of the most gut-level grinders you’ll ever hear, “Scramble Out Of Town.” The riff here is likely to peel the paint off most walls within a 100 mile radius. Side Two opens with “What Did I Do,” a more hard rock & roll number that, while probably the most uneventful cut on offer, is still head-and-shoulders above a lot of other tracks you’ll hear called “great.” But, as you may have guessed, C.I.A. saves the best for last with the 6+ minute “Heavy Box.” Telling an eerie tale about finding a buried Pandoran artifact, this one stands among some of the greatest doomy metal classics of all-time, right up there with the best of Legend, Pagan Altar and April 16th.